
ΠΠ°Π»ΠΈΡΠΈΠ΅ ΠΠ°ΡΠΊΡΠ°, 11 2 - ΠΠ·Π΄Π°ΡΠ΅Π»ΡΡΡΠ²ΠΎ: PRESTEL
Now enlarged and updated, this introduction to great and famous women photographers from the 19th century to today features striking works of 60 artists, along with in-depth biographical and critical assessments. Since the inception of photography as an art form nearly two hundred years ago, women have played an important role in the development of the genre, often pushing boundaries and defying social convention. This comprehensive volume features sixty of the most important women photographers--including, new to this edition, Annette Kelm, Miho Kajioka, and Ming Smith. Every artistic style and genre is represented here: moody and haunting portraits by Julia Margaret Cameron and Diane Arbus; highly personal images from Nan Goldin and Sally Mann; world- changing documentary photographs by Dorothea Lange and Berenice Abbot; scenes of everyday life from Lisette Model and Helen Levitt; fashion shoots from Lillian Bassman and Ellen von Unwerth. Splendid reproductions of key works and an in-depth overview of each artist's career and their contributions to the art of photography are featured along with biographical information and a contextual essay focusing on the impact of women in the history of the medium, which makes this an excellent illustrated reference.
| Π ΠΊΠ½ΠΈΠ³Π΅ | |
| ISBN | 978-3-7913-8957-8 |
| ΠΠ·Π΄Π°ΡΠ΅Π»Ρ | Boris Friedewald |
| ΠΠ΅ΡΠ΅Π²ΠΎΠ΄ | Π’Π²ΡΡΠ΄ΡΠΉ |
| Π‘ΡΡΠ°Π½ΠΈΡ | 256 |
| Π€ΠΎΡΠΌΠ°Ρ | 210 x 270 ΠΌΠΌ |
| Π―Π·ΡΠΊ | ΠΠ½Π³Π»ΠΈΠΉΡΠΊΠΈΠΉ |
ΠΠΏΠ»Π°ΡΠ°
ΠΠΎΡΠ»Π΅ ΠΎΡΠΎΡΠΌΠ»Π΅Π½ΠΈΡ Π·Π°ΠΊΠ°Π·Π° ΠΎΠΏΠ»Π°ΡΠ° ΠΏΡΠΎΠΈΠ·Π²ΠΎΠ΄ΠΈΡΡΡ ΡΠ΅ΡΠ΅Π· ΠΈΠ½ΡΠ΅ΡΠ½Π΅Ρ Π² ΡΠ΅ΠΆΠΈΠΌΠ΅ ΡΠ΅Π°Π»ΡΠ½ΠΎΠ³ΠΎ Π²ΡΠ΅ΠΌΠ΅Π½ΠΈ Π±Π°Π½ΠΊΠΎΠ²ΡΠΊΠΎΠΉ ΠΊΠ°ΡΡΠΎΠΉ VISA, MASTERCARD, ΠΠ΅Π»ΠΊΠ°ΡΡ, ApplePay, Samsung Pay
ΠΠΏΠ»Π°ΡΠ° ΠΏΡΠΈ ΠΏΠΎΠ»ΡΡΠ΅Π½ΠΈΠΈ Π²ΠΎΠ·ΠΌΠΎΠΆΠ½Π° ΡΠΎΠ»ΡΠΊΠΎ ΠΏΡΠΈ ΡΠ°ΠΌΠΎΠ²ΡΠ²ΠΎΠ·Π΅ Π½Π°Π»ΠΈΡΠ½ΡΠΌΠΈ ΠΈΠ»ΠΈ Π±Π°Π½ΠΊΠΎΠ²ΡΠΊΠΎΠΉ ΠΊΠ°ΡΡΠΎΠΉ.
ΠΠΎΡΡΠ°Π²ΠΊΠ°
1. Π‘Π°ΠΌΠΎΡΡΠΎΡΡΠ΅Π»ΡΠ½ΠΎ ΠΌΠΎΠΆΠ½ΠΎ Π·Π°Π±ΡΠ°ΡΡ Π² MARKS - ΠΠ΅ΡΠΏΠ»Π°ΡΠ½ΠΎ
β ΡΠ». ΠΠ°ΡΠ»Π° ΠΠ°ΡΠΊΡΠ°, 11
2. ΠΠΎΡΡΠΎΠ²Π°Ρ Π΄ΠΎΡΡΠ°Π²ΠΊΠ° ΠΏΠΎ ΠΠ΅Π»Π°ΡΡΡΠΈ
Π‘ΡΠΎΠΈΠΌΠΎΡΡΡ Π΄ΠΎΡΡΠ°Π²ΠΊΠΈ ΡΠ°ΡΡΡΠΈΡΠ°Π΅ΠΌ Π² ΡΠΎΠΎΡΠ²Π΅ΡΡΡΠ²ΠΈΠΈ Ρ ΡΠ°ΡΠΈΡΠ°ΠΌΠΈ Π½Π° ΡΡΠ»ΡΠ³ΠΈ ΠΠ΅Π»ΠΏΠΎΡΡΡ ΠΈ ΠΠ²ΡΠΎΠΏΠΎΡΡΡ
3. ΠΠΎΡΡΠ°Π²ΠΊΠ° Π·Π° ΠΏΡΠ΅Π΄Π΅Π»Ρ ΠΠ΅Π»Π°ΡΡΡΠΈ (Π ΠΎΡΡΠΈΡ, ΠΡΠΌΠ΅Π½ΠΈΡ, ΠΠ°Π·Π°Ρ ΡΡΠ°Π½)
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